智(🗃)慧(huì )与(🆗)美(mě(🚍)i )貌(🥗)并存(🐈)(cú(💪)n )的Riley进(🏗)入大学(👗)后加入了(le )一个(gè )人人眼羡的姐妹会,成员都(dōu )有着(zhe )维密天使(🤟)般的脸(🐺)蛋和身(👾)材,可(🚤)姐(🌁)(jiě )妹(🍣)会中的(🏟)成员却(🦋)相继死去,被连(lián )环杀人犯取掉身上了(le )一部分(fèn )做成(chéng )玩偶(🎢),一个想(🚢)要睡(🦉)遍(🐳)(biàn )姐(🦐)妹(🙆)会(huì(🎋) )中所(suǒ(🈁) )有人的(🚹)帅哥Carter成为首要(yào )嫌疑(yí )人(rén ),软(ruǎn )件Row的秘密也随之浮(🗓)出(chū )水(✂)面(miàn ),Riley的(🅱)妈(mā(🎡) )妈(💅)竟曾(🐢)也(✊)是姐(🆗)妹会的(😪)(de )一员(yuán ) 她的死(sǐ )背后隐含着什么秘密(mì )
执笔(bǐ )过电影《逆鳞(🛌)》的崔成(💺)贤作(zuò(📹) )家的(📷)(de )导(🔡)演处(♉)女作,讲(🥖)述已经(🦏)风采(cǎi )不再(zài )的拳击选手出身的哥(gē )哥和有(yǒu )着肢(zhī )体障(🤬)碍的天(👥)才钢(🖥)琴(🦗)家(jiā(🅾) )弟(🎥)弟之(🍭)(zhī )间的(🐤)(de )故事,李(🍾)秉宪饰演哥(gē )哥,朴(pǔ )正民(mín )饰演弟弟,尹汝贞饰(shì )演妈(mā )妈(😭)(mā )一角(🧖)(jiǎo ),韩(😈)志(🛡)旼将(😫)帮(➿)助朴(🆎)正(zhèng )民(⛳)的(de )角(jiǎo )色。电影由CJ投资发行,5月(yuè )末开(kāi )拍。
Min-jae wants to try something new as her sex life with her husband is boring.
影片改编自真实故(🈳)事,一群(🤥)(qún )在少(🐂)管所(🔊)接(🎆)受改(😮)造的问(👩)题少(shǎ(🌱)o )年们(men )冲突不断,以雷公(林哲熹(xī )饰)和高少(纪言恺饰)(🙄)为首的(🔙)(de )两派(pà(⛑)i )更是(🎞)时(🦎)常剑(🔦)拔弩张(🔌),令王科(😞)(kē )长(连凯饰)很是头疼。直到新(xīn )院长(zhǎng )(萧蔷饰)到任(😠),她(tā )希(🍄)望(wà(🖕)ng )用(🆎)(yòng )古(🌍)典(👖)(diǎn )乐(🌤)来教化(🍏)这群问题少(shǎo )年,并(bìng )特意(yì )聘请了乐团团长(金(jīn )士杰(jié(🏍) )饰)的(🥅)女儿((🏘)程媛(🍂)媛(👯)饰)(🍫)担(dān )任(🙍)音(yīn )乐(❌)老师,于是这帮“坏小子(zǐ )”们(men )开始了放下武器、举起乐器(qì )的(🔴)乐(lè )团(😪)生活,直(💴)到一(😕)次(🌋)大(dà(🙋) )赛前夕(🍂)(xī )……(😓)
“就算没有房,也依(yī )然要有(yǒu )明确(què )的思想和喜好”做了(le )三年(😪)家(jiā )政(🏳)帮(bā(🈯)ng )佣(➕)的微(🦖)笑(🎣)(李(㊗)絮饰)(🚓)人生(shēng )中(zhōng )只要(yào )有一杯威士忌、一口(kǒu )烟和(hé )心爱的(de )男(🐏)友就足(🚑)矣,可随(🍈)着(zhe )新(🧚)年(🏸)(nián )到(🤒)来,房租(🚥)不断攀(㊗)升,威士(shì )忌和(hé )烟的价格也不断上涨,薪水(shuǐ )却依(yī )然毫无(💝)波动,既(🥚)然自己(✏)的喜(📫)(xǐ(👰) )好变(🥑)(biàn )得越(😧)来越贵(🔯),那么便(biàn )只有放(fàng )弃房(fáng )子。可爱的现代版小(xiǎo )公主微(wēi )笑(🤵)的(de )城市(🏠)漂流(🔉)生(🏿)活就(🤤)此(🦑)开(kā(🕎)i )始,就(jiù(🎰) )算没(méi )有房子,生活还是照(zhào )着自(zì )己(jǐ )喜爱(ài )的方式继续(🦋)着…
The movie is to combine a film noir-style investigation with an exploration of altered states of consciousness, focusing on the story of 50-year-old Otto Ganz, the owner of a thriving building and civil engineering company that operates worldwide. One day he has to travel to North Africa to deal with some urgent issues and there, Ganz is confronted with memories of his youth, which he had tried to forget for many years.