李(lǐ )天洋和郑(zhè(🔉)ng )月(⌚)两(🏓)位年(nián )轻“小炮儿”在(😛)执(🌁)行神秘任务时失败(🈚)，惹(🚚)怒老大闫老板，开始了(📨)亡(🏋)命天涯的(de )故事。在(🎧)(zà(🍞)i )找(🏳)寻货物(wù )的过程中，郑(👅)月(🍣)偶遇发小并帮发(🤹)小(👅)找回了失踪多时的男朋(🔗)友(⛓)。同时，郑月发(fā )现了(💲)货物(wù )的秘密并(bìng )明白(🏘)如(😟)果不逃离这个地方(🤠)就会丧失性命。屋漏偏逢(🎺)连(🎬)夜雨，在郑月准备离(📷)开(kāi )的时候，兄弟和发(🏪)(fā(🍍) )小(🎗)的被闫老板抓，郑月(🥊)不(🎭)得不与闫老板正面(🌩)冲(🉐)突，随之而来的却是越(👕)来(🌽)越多(duō )的麻烦。
一(🎾)场(🙀)矛(🚀)盾(dùn )重重的斗羊大赛(🎷)，一(🙄)次心机四伏的厨(😶)艺(🎽)比拼，到底由谁来决定黑(🚖)山(🥃)羊的命运？
When their city is rocked by a series of brutal occult murders, veteran detective John Locke and his young partner Terri Keyes are forced to put aside their youlady.cc differences and follow the trail of evidence to a formerly abandoned asylum.
钱麟遂(🕐)(suí )父亲心愿(yuàn )，带上门客(📉)亦(🈚)卿和小厮春子，来到(🚼)七灵峰找辛于学习剑法(📕)。亦(🥌)卿与辛于因为(wéi )投(🗺)缘结为(wéi )知音，岁(suì )月(🎣)静(🕍)好(🎬)。子夜来到辛庄要挑(🖲)战(😙)辛于，被辛于重伤，钱(🔵)麟(🧜)却对子夜一见如故，教(🎻)他(🕉)辛于(yú )的剑法。亦(🍵)卿(🆑)看(🌴)出子夜身上戾气，劝阻(🥊)钱(🍞)麟，钱麟毫不在意(📘)。子(⛱)夜却在剑术精进后杀了(😹)钱(🌅)麟的(de )师父辛于(yú(🔞) )，两(🛡)人积怨。辛于死后，子夜在(🐝)江(🐓)湖声名鹊起，并暗中(🚆)送银子给钱麟。子夜(yè )与(💌)钱(👼)麟相(xiàng )遇，两人(rén )间(🌜)隙更甚，亦卿见钱麟对(🕔)自(🈸)己(💷)疏离，也伤怀离开钱(🍥)府……
Suchmos于2016年10月28日在惠(📡)比(🕹)寿(shòu )LIQUIDROOM的演出。收录于二(🤽)(è(🈹)r )专THE KIDS的DVD中。
A newly reunited young couple's drive through the Pacific Northwest turns into a nightmare as they are forced to face nature, unsavory locals, and a monstrous creature, known to the Native Americans as Oh-Mah.
你可能说(⏫)你(🏁)看(🏛)不到五分钟，我只能说(🕓)你(🐏)错过了最后五分(🌺)钟(🎈)。
人據說一生最多(duō )有十(⚾)萬(🚭)條(tiáo )頭髮，每一條(🔩)頭(🔄)髮質感長度有異，但都承(🈂)載(⬅)著煩惱的回憶。「時(⛺)光理髮」剪(jiǎn )掉的不只(👈)(zhī(💏) )是頭髮，還有街坊不(🏝)快的記憶。行將式微的舊(💏)式(🚔)廣東理髮店店主海(❣)泉叔指望兒子長發(fā(😛) )繼(🅰)承衣缽(bō )，不過兒(ér )子(🎅)卻(⏪)更想當文青，希望透(🎻)過(🎌)文字和音樂改變世界(💎)。一(🗻)次意外，長發被迫(🐃)代(🕕)父親落場當(dāng )師傅，透(tò(🎱)u )過(😨)理髮為街坊排憂(❄)解(💔)難，更與離家出走少女相(🌠)遇(👼)相知，重新反思自己(⛅)的前路(lù )。傳統理(lǐ )髮店(🤵)交(🆖)織(zhī )舊區鄰里人情(🍞)，《點五步》男角岑珈其化身(🐁)理(🔌)髮店傳人，演出清新(🖥)自然。
Shaji Pappan and his gang try to redeem their arts club through a game of tug-o-war. Chaos erupts as the half-witted gang gets entangled in a bigger conspiracy.
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
