讲(😰)(jiǎng )述(shù(🐒) )了(le )足(zú(👵) )疗(liáo )按(🌫)(àn )摩(mó(🤐) )师(shī )吴(🤼)(wú )小(🅿)(xiǎo )毛(máo )和(hé )来(lái )自(zì )未(wèi )来(lái )的美女娜(💉)美之间的爱(🌆)恨情仇(🍖)。吴小毛(🎗)是(shì )一(🦅)(yī )个(gè(🐇) )没(méi )有(🥈)什么才华但(🙊)又有不切实际的大梦想的穷屌丝。他好高(🔚)骛远，不能脚(🧤)踏实地(💕)的奋斗(🐸)拼搏。在(⏳)遇到来(😽)自未来(🐮)的美女娜美(👯)后，他意外的获得了超能力以及娜(nà )美的(📖)爱情(🌤)。而他们(🔽)的爱情(🤑)却遭到(🤘)来自55年(🙁)(nián )后(hò(🏞)u )娜(nà )美(🦓)(měi )的(🦉)(de )阻(zǔ )挠(náo )，因(yīn )为(wéi )在(zài )吴(wú )小(xiǎo )毛(máo )获(🛃)(huò )得(dé(✨) )超(chā(😷)o )能(néng )力(🤴)(lì )后(hò(🍲)u )，他开始(🏕)为所欲(🐌)为，不仅(🧚)给他们的家(🕟)庭也给(gěi )社(shè )会(huì )造成了巨大的灾难。最(🏼)终平凡的吴(🛥)小毛和(🍎)娜美幸(🥘)福的走(🎢)完了一(👔)生。
The uncensored extended version of Don't Love Me - boys feature film with Alex Kelly and Alexander Scott.
法国(🧝)《电影手册》2018年(🏯)度期待榜单重点推荐影片之一，影片采用(🥒)16mm胶片(🐿)拍摄，具(🔈)有极致(📰)的(de )迷幻(🏢)色彩，影(⛹)像超级(🚀)大胆，故(🛍)事讲述5个热(rè )爱(ài )艺(yì )术(shù )的(de )“野(yě )小(xiǎo )子(zǐ(🚚) )”的(de )罪(zuì(😈) )恶(è(🕴) )之(zhī )行(🕋)(háng )，让(rà(🍵)ng )人(rén )想(🧦)(xiǎng )到(dà(🦐)o )库布里(🕶)克的《发条橙(🚥)》，而这5位“野小子(zǐ )”则(zé )正(zhèng )由5位女演员“扮(💝)演”，涉及到了(🕌)不少情(🛩)色元素(🤒)，探讨了(😾)性别结(💔)构。
王小(🐝)丁（贾景晖(🛢) 饰）是替某网站工作的摄影记者。生活里(🌛)，王小(⛽)丁总是(🌃)一副吊(🌉)儿郎当(📭)的样子(😩)，没有任(📓)何一件(🏼)事情能够让他上(shàng )心(xīn )，无(wú )论(lùn )是(shì )对(duì )待(dài )工(gō(🔍)ng )作(zuò(🕓) )还(hái )是(🐵)(shì )人(ré(🌐)n )际(jì )关(⛎)(guān )系(xì(💞) )，王(wáng )小(🚷)(xiǎo )丁(dīng )都是(🌾)无所谓的态度，整天浑浑噩噩的混日(rì )子(🍧)(zǐ )。王(wáng )小丁(⛅)的现状(📁)连神仙(💴)都看不(🧞)下去了(😐)，于是派(👼)出了缞神（(😌)赵骏 饰）来到他的身边，希望能够帮助他(😮)重新找回生(🐑)命的意(⭐)义。可是(🐜)很快缞(🏼)神便发(🎷)现，王小(🐼)丁的无赖远远超过了他的预期，他竟然对他毫(háo )无(wú(🐪) )办(bà(🔷)n )法(fǎ )。
TudorFilms presents an action packed gore fest, following regular guy Ed (Marcus Carroll) who awakes one morning to find that his Nan (grandmother) has become one of the living dead. Trapped in his home, Ed struggles to handle the situation. With help from his friends, Ed tries to survive the day, but as his Nan becomes stronger, Ed is battling to keep his house zombie free, stay alive and save the day.
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
